Wolfgang Amadeus Mozart composed approximately 50 concert arias for the great singers of his day, some for the concert stage, but also to be inserted in operas by other composers. Most of these arias are rarely performed and have been relegated to obscurity, although many of the works are real treasures. Alfred Einstein described them as “miniature concertos in which the voice replaces the solo instrument”. Sabine Meyer has studied these Mozartian gems extensively and presents twelve of these bravura arias on her new CD. Arranged by Stuttgart composer N. A. Tarkmann, they are marvellous little “clarinet concertos” in which Sabine Meyer can display her consummate artistry.

演奏：Sabine Meyer

专辑曲目

1.Kammerorchester Basel: Non che non sei capace, K. 419

2.Kammerorchester Basel: La clemenza di Tito, K. 621: Non piu di fiori

3.Kammerorchester Basel: Ah! Spiegarti, oh Dio, K. 178

4.Kammerorchester Basel: Un bacio di mano, K. 541

5.Kammerorchester Basel: Per quel paterno amplesso, K. 79

6.Kammerorchester Basel: Chi sa, chi sa, qual sia, K. 582

7.Kammerorchester Basel: Ombra felice... Io ti lascio, K. 255

8.Kammerorchester Basel: Davide penitente, K. 469: Tra l'oscure ombre funestre

9.Kammerorchester Basel: Io ti lascio, oh cara, addio, K. App. 245

10.Kammerorchester Basel: Der Liebe himmlisches Gefühl, K. 119

11.Kammerorchester Basel: La clemenza di Tito, K. 621: Parto, parto

12.Kammerorchester Basel: Schon lacht der holde Frühling, K. 580

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